FROM SAKURA TO XIHU

 

 

 

 

 

 

 

 

 

 

My long overdue trip to Japan finally happened – I had tickets for March 11, 2011, when earthquake and tsunami devastated the country but this time I was greeted by friends who had nearly forgotten the disaster and beautiful cherry blossoms (sakura) in Yamagata, 30 min. away from Fukushima. I stayed with families throughout the 10 days in Japan, shared a tiny apartment and a loving relationship between a 70 year old mother and her 45 year old daughter in the middle of Tokyo, and up North I joined 84 year old grandma visiting to her husband’s grave, soaked with mom in the hot springs, while dad in his brand new mercedes with tv and all the gadgets prepared the tour route to the best cherry blossoms and the oldest temples. I am one of the very few who went to Japan and left out Kyoto, a reason for me to return.

 

 

 

 

 

 

 

 

 

 

After a 3 hour flight I landed in Shanghai. A culture shock, warned my friends, and they were right. 100 square kilometers of city that never ends with buildings that looked like East-German Plattenbau, some much worse than what I saw in East Germany years ago. They were interspersed with beautiful old buildings from colonial times, many restored – the famous Bund with banks and hotels that cater to tourist and the many rich in Shanghai – others terribly run down, windows and doors absent, laundry covering the open holes. The fantastic subway system always crowded with pushy people is like a city below a city. Be prepared for very long walks if you have to change lines and you better know your exit, otherwise another long walk. Tokyo’s metro is similar but it feels different, people don’t scream into their cell phones, don’t push you around. And, thank God, I was not driving in China, just sat in taxis and friend’s cars fearing for my life. Rules don’t seem to exist, or they are tested to the max. Hangzhou is known for being one of China’s beautiful cities. Like Shanghai, it has a wide, slow moving river with slow moving barges that look like big black pieces of wood flowing down the river. There is a romantic, large lake – Xihu or Westlake in Hangzhou, a “Fussgängerzone” like in German cities where you can see the remains of the thousand year old city wall, many beautiful pharmacies from around 1650 where lots of patients visit doctors and buy strange herbs, There are silk shops where big balls of raw silk are sorted and sieved by hand and a silk road for tourist to buy silk products, and a wide variety of Chinese and western restaurants. If you visit Shanghai, stop in Hangzhou, it’s only an hour away by fast train and tickets are much cheaper than in Japan. I didn’t loose my heart in China though, too many people who think of nothing but work, family and making money by selling something — very different from the Japanese where salesmen or women would rather hide in their shops than try to talk you into buying something. Would like to go back to Japan to visit Kyoto and hike on the Kumano trails.

 

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SPRING HAS ARRIVED with new German Films at SFIFF 56

 

 

 

 

 

Check out the German language films (Austria’s MUSEUM HOURS and Switzerland’s ROSIE – included). I have not seen any of these films but heard from friends who went to the Berlinale that DAS MERKWÜRDIGE KÄTZCHEN / The Strange Little Cat was the best German film at the festival in 2013, it was shown in the Forum section. I’m very pleased to see that it made its way to San Francisco so fast, in previous years Berlinale films would have to wait for the next spring to be included in the SFIFF. Sorry to say that I will be in Japan and China during the festival, bad timing for a trip that was long overdue. But I hope to get your feed back.

http://prod3.agileticketing.net/websales/pages/list.aspx?epguid=db9c7f13-edc8-489f-bc28-5aa111f9970e&cp155=German&

Also a “Musikvideo der Woche” made by Milena (my daughter) during her Berlinale 13 visit. Jeans Team came to SF a few times over the past 10 or so years and some of you might remember — here “Berliner Schnauze” at its best:

http://detektor.fm/musik/musikvideo-der-woche-jeans-team-scheiss-drauf/

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ELLA born March 8

 

 

 

 

 

My granddaughter arrived and she lives close by, so I can visit often and soon do all the things grandma is supposed to do, like teach her how to blog… I can see talent there, yes, bloooooog, she said on day 5, but mama has doubts.

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GERMAN FILMS AT LANDMARK THEATRES

Landmark Theatres has several acclaimed German films opening in our venues in San Francisco and the East Bay. These 3 upcoming movies LORE, THE SILENCE, and BARBARA promise to be riveting and definite food for thought for any German affiliated groups. My comments about BARBARA (Germany’s bit for this year’s Oscars) are further down on this blog, yes, worth seeing. THE SILENCE I saw at the Munich Filmfest when it premiered there in 2010, a film packed with village oddballs and lots of suspense that did not quite work for me. Couldn’t put the puzzle together but you might. LORE, Australia’s Oscar nomination for 2013, takes place in Germany, is in German with German actors, and tells a riveting war story.

Check the movie pages for times at the various Landmark Theatres, BARBARA will open March 8, LORE and THE SILENCE are playing now at Embarcadero and Shattuck in Berkeley.

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DER DEUTSCHE PAPST

Yes, the Pope is German which qualifies him to get a space on my blog. I clicked on his resignation speech given in Latin and written by a press woman on his staff who seems to know Latin as well as he does. Why in Latin? Are those the rules of the game in papal circles? Nobody blinked while he was reading the text, like a sermon he had given 100 times before. No signs of emotions anywhere in the chapel among those who listened or read along with texts in hand. No surprise looks on their faces, not a trace of a shake in the Pope’s 85 year old hands when he was holding this historical piece of paper. The last time a pope resigned was around 1200 AD. Leave it to the Germans, they know how to make history.

Here some critical comments about his rule from today’s New York Times. http://www.nytimes.com/2013/02/12/opinion/farewell-to-an-uninspiring-pope.html

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BERLINALE & BEYOND

 

 

 

 

Photos by Milena Pastreich

The only German film in the competition of this year’s Berlinale, GOLD, by Thomas Arslan who is know for making films in the Berliner Schule tradition (i.e. slow, composed, detailed) seems to have tried something different, a German Western starring wonderful and ubiquitous Nina Hoss. Here a review from DER SPIEGEL http://www.spiegel.de/kultur/kino/berlinale-wettbewerbsfilm-gold-rezension-a-882341.html High marks are given to Ulrich Seidel’s HOFFNUNG, the last part of a trilogy (LOVE premiered at Cannes 2012, FAITH at Venice 2012, and now HOPE); the three films will come to YBCA in June. Seidel fans mark your calendar! Here SPIEGEL’s comments – auf Deutsch http://www.spiegel.de/kultur/kino/berlinale-ulrich-seidl-zeigt-abschluss-der-paradies-trilogie-a-882178.html

More German events in the Bay Area: an ongoing Werner Schroeter retrospective at the PFA http://bampfa.berkeley.edu/filmseries/schroeter. Known as one of Germany’s revolutionary filmmakers, he is famously liked and disliked. One of my first film projects at the Goethe-Institut was promoting a Schroeter retro in the early nineties when he came to town. Dinner with him after one of the screenings turned into a monolog, flamboyant, intense and eccentric. I’m glad I met him. He died in 2010.
Check out BOY, a music gig coming to the Swedish American Hall on March 6. Consisting of two beautiful young women from Zuerich and Hamburg who sing in English, BOY was part of the opening act of last year’s Berlinale and their fan club is growing. The duo isn’t easy to find online, (too much Boy on the web) but here my best bet http://www.listentoboy.com/index2.php and tickets are available at http://www.cafedunord.com/calendar/3|2013|15

Don’t miss these German films showing in the Bay Area – there aren’t that many and these are favorites of film snobs and other film apassionatos. At Cinequest ,O BOY, a new film recommended highly by Charlie Cockey, one of the snobs and programmers of Cinequest, and RUN LOLA RUN screening in Petaluma. She has been running for many years but hasn’t lost any of her appeal, especially after Tom Tykwer’s latest disappointing collaboration on CLOUD ATLAS.

http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=6968~78899376-35a9-4153-8303-e1557be2dc32&epguid=70d8e056-fa45-4221-9cc7-b6dc88f62c98&

http://www.petalumafilmalliance.org/2013-spring-schedule/

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12/1/12

 

 

 

 

 

LINCOLN – HITCHCOCK – ARGO – ANNA KARENINA – CLOUD ATLAS

The best thing to do on a rainy day – and we just had lots of them, grey and beautiful – watch the raindrops or watch movies. Here is what I saw last week, mostly big American productions but the biggest of it all, CLOUD ATLAS, a German coproduction – to stay true to my mission.

LINCOLN: Spielberg had Leam Neeson as front runner for the part and I wonder what the result would have been. Daniel Day Lewis seems the perfect choice. You couldn’t get closer to the real man than this performance. Witty and agonizing, always concerned for others yet talking to himself and his own conscience we see an old man who is willing to have a whole generation of his country slaughtered in order to move history a step forward. The film should have been released before this year’s election to remind people of the difficulty of the democratic process and the cruelties of war, not much has changed since 1865. Well, Obama won without the support of LINCOLN, the democratic process seems to be working.

ARGO: I didn’t know much about this chapter of history which took place in the shadow of the Iran hostage crisis 1979. A well made thriller not always true to the real events – Hollywood seeped in there especially at the end – nevertheless I was fully captivated.

HITCHCOCK: Knowing him from so many of his films and from TV makes it hard to see Anthony Hopkins with round face and stuffed out suit to be the great master of suspense, but after a while you get into it. A curious mix of the “making of” Psycho, of a (famous) husband-(devoted) wife relationship with all the tension, and the master’s obsessions with his blond stars and with the killer in Psycho, it is a little bit like a Hitchcock film without the suspense. We know the outcome of all the story lines which made me look at my watch a few times. But mostly entertaining and engaging.

ANNA KARENINA: It is hard to come close to Greta Garbo as Anna, and Keira Knightley is far from it. Also miscast is Aaron Taylor-Johnson as Vronsky. Both seem too young, too foolish, not convincing of the love and the destruction that Tolstoy had in mind. I liked the monkish Jude Law as Karenin and the boisterous Oblonsky (Matthew Macfadyen). Director Joe Wright squeezed the many layered novel into the refines of a theatre, which is daring but does not really work. The first 20 minutes felt like a musical without the singing – I was hoping that the clerks in Oblonsky’s office would break out into songs. Then several scenes moved from inside the theatre to outside landscapes. Beautiful fields under misty sky and soft heaps of hay to rest in. And a toy train that becomes a real one covered with snow and ice steaming into Moscow station and eventually killing Anna. With so much moral and political conflict to digest and so many characters to follow the setting in a large theatre which, I suppose, should remind us of life being a stage and vice versa, diverts and distracts. Does it contribute to a deeper understanding of the novel. I’m not convinced.

CLOUD ATLAS: 3 hours of wasted time. Ruminations about mankind, its failures and how to save it through love and compassion sound so familiar. It has been done before, better, and shorter. If you like special effects, there is lots of it and if you want to see what make-up can do, then wait for the credits. The 5 or so main actors morph into faces you will not recognize. Great, but it did not save money. The costliest movie ever made and xFilme, Tom Tykwer’s production company in Berlin was part of it. Sorry to see that Tykwer is going that way. I loved his early films WINTERSCHLÄFER, TÖDLICHE MARIA, LOLA RENNT.

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11/14/12

Here are some more German films coming to northern California. Thanks, Tim, for calendar updates.
DREIVIERTELMOND is playing now in Cupertino (Nov 9-16) and next week in Orinda near Berkeley (Nov 16-23). I tried to get this film for the last GERMAN GEMS but they were hoping for a more important US premiere. Well, here it is. Worth seeing.http://www.lfef.org/showcasetickets/
THE EDGE OF HEAVEN is playing Nov 27 in Berkeley. Many of you might remember this very impressive feature by Fatih Akin that has toured throughout US movie houses. It opened the 2008 Berlin & Beyond.
http://events.berkeley.edu/index.php/calendar/sn/ihouse.html?event_ID=58008

BARBARA is playing Dec 21-27 in San Rafael. Great film by Christian Petzold. Highly recommended for all those who missed it at this year’s B&B and those who want to see it again.
http://www.cafilm.org/rfc/films/1780.html

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11/1/12

Als ich eines Morgens aus unruhigen Träumen erwachte, fand ich mich auf dem Fensterbrett an meinem Haus zu einem grünen Ungeziefer verwandelt. Ich klebte mit den dünnen Beinen an dem weißen Brett und sah, wenn ich den Kopf mit den langen Fühlern ein wenig hob, das Fenster, die Tür und den blauen Himmel über mir. Was ist mit mir geschehen? dachte ich. Ein Grashüpfer, der am Balken von meinem Haus festklebt. Vorsichtig hob ich erst einen dann den anderen Flügel. Sie bewegten sich. Ich beugte die langen Beine ein wenig, auch sie bewegten sich. Vorsichtig ging ich mit allen vier Beinen in die Hocke, die Gelenke federten wie ein Gummiband und stießen plötzlich mit Schwung vom Fensterbrett ab. Ganz von allein breiteten sich im Moment des Absprungs die Flügel wie beim Flugzeug aus und fingen an so schnell zu flattern, daß ich keine mehr Zeit hatte, mich umzusehen. Ich flog. Ein wunderbares Gefühl. Hoch und immer höher lenkten mich die Fühler wie Antennen durch die warme Luft. Den Himmel über mir und unter mir die Menschen, die Häuser, die Straßen, die Autos. Ein schöner Traum indessen ich erwachte. (Frei nach Kafka und Goethe)

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Thanks Tim, for keeping us up to date with upcoming German events in the Bay Area:

OMA & BELLA is playing at the Napa Valley Film Festival in November.
MAX RAABE und Palast Orchester in Santa Rosa on April 14:
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DIE WAND / THE WALL at B&B and MVFF

10/8/12

 

 

 

 

 

I hope it is not too late for you to check out this film at the Mill Valley Film Festival. The second and last screening is on Tuesday, Oct. 9 at 9.30pm at the Sequoia 1. A film I can recommend – after seeing it at the Berlin & Beyond Film Festival last weekend. THE WALL, based on Austrian writer Marlen Haushofer’s acclaimed novel from 1963 is about a woman trapped in the mountains and separated from all living beings by an invisible wall. I love the novel, read it a few times and couldn’t imagine a film to be made out of it. With one actress, one dog, a cat, a cow and the mountains. Yes, mountains can be a powerful backdrop and screenwriter/director Julian Roman Pösler and his cinematographer used them as exactly that, majestic, threatening, intense, beautiful. They act like a companion to the trapped woman, something she has to struggle and come to terms with, and much more unpredictable than the dog who became her close friend. In the end we think that the invisible wall is more a protection than a threat for her. The filmmaker decided to stay close to the text of the novel by illustrating passages from the book, journal entries read by the woman, with powerful images describing those passages. I wish Pösler had come up with more than just translating the text into images and adding Bach music to it, but thanks to Martina Gedeck’s (THE LIVES OF OTHERS) sensitive portray (and narration) of the trapped protagonist and thanks to the beautiful scenery and the dog and the cat, the film captures a lot of what Haushofer described. I hope you have a chance to see THE WALL. It has US distribution and might eventually come to a theater near you.

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BERLIN & BEYOND Film Festival

9/23/12

It’s coming up on Sept 27 and here my recommendations. BARBARA is a great opening night film (I wrote about it on this blog a few pages down), the same about the closing night film THIS AIN’T CALIFORNIA (my recent comments are also on this website). Mario Adorf deserves to be honored. Yes. I would have liked to see him again in his break-through performance of THE DEVIL STRIKES AT NIGHT / Nachts wenn der Teufel kam (the PFA used to own a copy), and in ROSSINI (Bernd Eichinger wooing Patrick Süskind for the rights of DAS PARFÜM), however DAS TOTENSCHIFF and LOLA (shown recently at B&B) are powerful examples of Mario Adorf’s long and prolific career. – A few more recommendations: BATTLE OF THE QUEENS/Kampf der Königinnen, — I love cows and recently went to Switzerland where I ran into some of those queens; COMBAT GIRLS/Kriegerin, an impressive first feature about Neo-Nazis; and WESTWIND, in case you missed it at last January’s GERMAN GEMS. I’m curious to see THE WALL based on one of my favorite novels by Marlen Haushofer (Die Wand). A woman’s story taking place in the Austrian mountains and of course, with cows, playing an important role. And then there is Sokurov’s FAUST, partly filmed in Iceland, a dark jewel that I only recently discovered. Check it out.

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LAST STOP: KRÖLLER-MÜLLER MUSEUM

9/13/12

The last stop on my way back from Germany to San Francisco was at the Kröller-Müller Museum in The Netherlands, one of the best kept secrets in the art world that I know. It not only has the biggest collection of Van Goghs (more than 90 paintings) outside the Van Gogh Museum in Amsterdam but also a sculpture garden with close to a hundred pieces by, among others, Richard Serra, di Suvero, Christo, Lipchitz, Sol LeWitt, and JeanDubuffet. All this is embedded in a park so big that you can easily loose your way when you go around by bicycle and that’s what everybody is doing. Bikes can be found all over the park and they are free to use. When you go bring a picknick and lots of time. It’s worth it.

 

 

 

 

 

 

 

 

 

 

art by Mario Merz, Mark di Suvero, Cai Guo-Qiang, Richard Serra, Oswald Wenckenbach (M. Jaques), R.W. van de Wint

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